Anything that can go wrong will go wrong. That's Murphy's Law as we've come to know it. But it's not quite the way Murphy Lee looks at life. Or at music.

With his standout verses on Nelly's Batter Up, Rock the Mic remix with Beanie Sigel and Freeway and Air Force Ones, the St. Lunatics rapper is proving that when he gets behind the mic, everything is bound to go right; some have witnessed just that when he dropped that crazy verse on the Welcome To Atlanta Remix with Jermaine Dupri, Puffy and Snoop Dogg. In fact, Murph's smooth, stunning performances throughout Nelly's debut album, 2000's 9x platinum "Country Grammar;" the St. Lunatic's first album, 2001's platinum "Free City" and Nelly's 2002's 6X platinum "Nellyville," have established him as a star in his own right.

Now stepping front and center with his debut solo album, "Murphy's Law," Murphy is rewriting the rules of the game and proving that his St. Lunatics colleague Nelly isn't the only one with serious skills.

"It has a good ring," says Murphy of the album's title. "And when I remembered that it means what could go wrong will go wrong, I wanted to flip it a little bit: What could go right will go right."

And there's lots that goes right on "Murphy's Law," one of the most impressive debut albums in hip-hop history. Murph teams with Nelly and P. Diddy on "Shake Ya TailFeather," the hit single which is also included on the "Bad Boys 2" soundtrack. An addictive track where the treacherous three encourage ladies to shake it on the dance floor, Shake Ya Tailfeather serves as the perfect introduction to "Murphy's Law."

"On almost every song I'm talking about females," Murph explains. "That's just me. I don't like cussing a lot, saying 'nigga' a lot. I don't try to be a thug or a gangster. I just talk about the ladies. My music is for the ladies.